DIK Challenge/ M/M Challenge - Camp Hell by Jordan Castillo Price (Psycop 5)

My DIK pick for August is Camp Hell by Jordan Castillo Price, one of Jenre's picks. I think I just made it under the wire.

Camp Hell picks up immediately where Psycop 4 ends. Victor has decided to take the plunge and investigate exactly why Heliotrope Station (Camp Hell) and all mention of its residents has been erased. But when someone has gone to a great deal of trouble to bury the past, is it really safe for him to be poking around?

LOVED THIS!

My favourite of the series. I think perhaps because the characters are so settled in. Both mysteries (Victor's investigation into the La Salle hospital and his investigation into Camp Hell) are completely interwoven into the story.

I very much appreciated Vic's sarcastic humor here, as it balanced out some of the tragic and sad history of Heliotrope Station which we experience firsthand as Vic undergoes hypnotic regression.

If possible the paranoia quotient gets even higher, mainly because it permeates the whole book this time rather than just being a part of it.

"I have to tell you something. But I think they're listening." Which sounded incredibly paranoid, I realized, but only after I'd said it.

And there's also the sense of a conspiracy of silence. It's not 100% clear who the bad guys and good guys are. I'm very, very interested to see where the story goes from here. I don't think we've heard the last of Heliotrope station and the FPMP (Federal Psychic Monitoring Program) it feels like there's more to come.

Victor and Jacob's relationship gets stronger here, but they're still working on it. :) JCP manages to get across in a couple of sentences what takes other authors pages and it makes the story so much stronger.

"...We're both on the same side, right?"
Jacob's gaze had moved from the wall to my eyes. I wanted to squirm. "You've got to start acting like it," he said.

They're still not quite as honest with each other as they could be. As Crash puts it:-

"...You guys think you're so virtuous because you both fall into the same bed every night, but I'll bet you haven't had a single conversation that was a hundred percent honest..."

I think Crash knows exactly how to hit a nerve, but Jacob's and Victor's lies seem mainly to be each of them trying to protect the other. But it's still lying.

Crash makes another welcome appearance. I like how he rubs Victor up the wrong way. (Loved his comment about the fight with a lamprey). In a way it's like they're - Jacob, Victor, Carolyn, Lisa, Crash - this very dysfunctional family.

There's a nice balance of humor and suspense. The pacing of the story is excellent, Jordan Castillo Price knows exactly when to ramp it up and when to tone it down. And the story doesn't exist in a vacuum, their day to day lives and jobs carry on. Even though Vic is trying to find out about Heliotrope Station, he still has a day job and also a life outside that job that he has to deal with.

In Camp Hell a lot of questions have been answered. But I think there are some things that have only just had the surface scratched. (I hope the alcohol being/not being a psyactive is cleared up at some point). I am now in the unfortunate position of having to wait for book 6. :(

Edited to Add, Afterthought - One of the reasons I think I like this one the most is that in a way for me it feels that Jacob and Victor's relationship is the only normality in an increasingly hostile world. Thinking of the other m/m books I've really enoyed - A Strong and Sudden Thaw, Wicked Gentlemen, The Administration series - it's how these relationships develop, survive and grow stronger, even though it seems that the odds are stacked against them. Camp Hell (especially the scenes between Stefan and Victor) had that dystopian feel. I will definitely be re-reading this series again.

M/M Challenge - Secrets by Jordan Castillo Price (Psycop 4)

In Secrets Victor becomes aware that perhaps some of his paranoia is justified. Heliotrope Station (Camp Hell) where he spent two years being 'trained' in his psychic abilities isn't mentioned anywhere on the internet, come to that neither are any of the former inmates...including himself. At the same time Jacob is dealing with a particularly unpleasant case involving sexual abuse at a retirement home, a case he doesn't want to talk about with Victor. Things are starting to unravel.

After the previous book I was a little worried that maybe I was overglomming Psycop in my attempt to get to Camp Hell before the end of August. (Hey there are still a few hours left). But I needn't have worried, Secrets is back on form with a vengeance.

The story opens with a wonderfully domestic scene, Victor and Jacob are moving in together. Which of course involves a little moving day nookie.

"You left a bite mark!"
..."Good thing you don't have to work tomorrow."
"You shit."

Of course everything is down hill from there. Jacob gets called away to deal with a case. And Victor (currently on medical leave) is left trying (and failing) to sort out their new living quarters. The case weighs heavily on Jacob but he doesn't want to talk about it with Victor. And Victor having recently found out about the complete lack of information on Heliotrope Station begins to feel (not unjustifiably) that everyone is keeping secrets from him.

I thought the mystery in this one was much more integrated into the story. Although the mystery itself is a separate thing, it impacts on Jacob and Victor's relationship. Jacob doesn't want to talk to Victor about it because he doesn't want to burden him. But he does feel able to talk to someone else about it - which doesn't really do much for Victor. Victor realizes that Jacob is keeping secrets from him, but doesn't know if that's the only secret he's keeping. And it seems that everybody (bar Victor) knows about the lack of information on Heliotrope Station and doesn't see anything strange about it. Especially towards the beginning of the story you can almost feel Vic's paranoia coming off the page. Everyone (with the possible exception of Carolyn who can't lie) is keeping secrets. And it's only when these secrets come out and are revealed that they can move on. Though as Victor says at the end

"I'm not so sure I like the new, improved, honest you. Let's go back to pretending everything's fine the way it is."

There was a lot more of Crash (Jacob's ex, the empath) in this one, which immediately ramps up the sarcasm quotient. Crash is one of those characters who can't resist metaphorically poking at the sore spot with a stick. He's an empath, so even though Victor doesn't want Crash to know he's attracted to him, Crash knows anyway and takes full advantage. I love Victor's justification to himself that it's Crash's green hair that does it.

I think this is the first time that Victor and Jacob's relationship is put to the test. Which makes for a very realistic read. You don't just ride off into the sunset together and everything's fine from then on. Relationships take work. It's working through the problems that makes them stronger and is far more interesting to read about.

One other thing that's explored here is Jacob's almost fetishistic attraction to Victor's ability. As Carolyn says in her blunt way.

"Victor, you've got to get out of here...Whenever you're in the room, Jacob turns into a walking hard-on. I haven't got the time for it..."

Victor starts to think that maybe they are like opposite ends of a magnet and that's why the attraction is so intence. I wonder if this is a thread that JCP will pursue?

A definite recommendation from me for anyone who hasn't yet read it. Onward and upward to Camp Hell.

M/M Challenge, Body and Soul by Jordan Castillo Price (Psycop 3)

Psycop 3 continues the story of Victor and Jacob. This time in between looking for a new house or apartment where the two of them can live together, sans ghosts. Victor is involved in a case of three missing people. Unfortunately unlike the previous case (in Criss Cross Psycop 2) where he couldn't seem to get away from the dead, this time they are proving very difficult to locate.

I have to be honest I didn't enjoy this one quite as much as the previous story. Saying that, this is still some of the best m/m I have read recently. So I almost feel overly picky even mentioning it.

Unlike the previous story which integrated the mystery with the relationship stuff. This one is more of a story of two parts. The mystery (for me) was not as interesting as the interaction between Jacob and Victor. Though it is interesting seeing how Victor handles himself in his job when he's not working with Jacob (as he did in Psycop 1, and in Psycop 2 Jacob was kind of involved as well, where here the two are separate).

What we do get here is a lot of insight into Victor. He's almost painfully honest with himself to the point where he over analyzes, which kind of leads him into assuming what people are either thinking or are going to say or how they'll react and then he bases his responses on these assumptions. It's no wonder he sometimes struggles with what he's going to say.

"I could feel him staring at the side of my face, waiting for me to have a coherent thought and speak it out loud. He'd gotten eerily adept at not filling in any awkward silences with my over the last couple of months. Damn him."

It's these little touches that let you see how their relationship has developed. Jacob doesn't rush Victor to speak, he waits for the words to come.

Ironically you would think that Jacob would be the one who was most secure in himself and the relationship. He's out at work and with his family, whereas every time Victor gets a new partner he struggles with telling them that he's gay. But here I think we see that Jacob is not maybe as sure of Victor's feelings. You could take this back to the first story when you think about what both of them saw the murder suspect as. (Don't want to give away spoilers for book 1)

I like stories which take protagonists out of their comfort zones. And this story opens with Victor and Jacob at Thanksgiving with Jacob's family. And the presence of children is great because it means the protagonists get asked socially inappropriate questions. Which they then have to decide how or if they're going to answer. Something of a minefield for Victor.

I think when I go back to re-read this one, it will be the domestic and house-hunting scenes that draw me. For me the mystery in this one came second place (apart from how it served to see more of Victor) to the developments in the relationship between Jacob and Victor. I think in this story they have moved to a new level. I still think maybe Victor is a little unsure of himself, which leads to Jacob feeling a little unsure of the relationship as well. But that's what makes it interesting.

Onto Psycop 4.

Winner of...

the What Turns You On giveaway is

Jenre

She posted the first comment and the number chosen at random.org was one. I have a copy of Phenomenal Girl 5 waiting for you.

M/M Challenge Criss Cross (Psycop 2) - Jordan Castillo Price

Criss Cross is the second in the Psycop series by Jordan Castillo Price. And I must admit that I like this one even more than the first. The ghosts that surround Victor are getting pushier than usual and it seems that his medication is now causing more problems than it solves. He has a new partner and following the events of the first story, Jacob is now living with him. Things are getting a little out of control. Victor really needs to work out what is going on, before it's too late.

Because of the circumstances of the previous story, Jacob has now moved in with Victor. This has pushed them into a domestic arrangement sooner rather than later. I love how this keeps Victor off balance. He has this way of dealing with his life - everything a certain way - his white appartment, his drugs and Jacob pushes his way in there - not in an aggressive way, but he's just there.

"He (Jacob) had this way of lying diagonally on the bed so that when I got up and looked back at him, I wondered how the hell I'd even fit in there."

Sometimes it's like Victor doesn't quite know how to deal with him. It's this awkwardness that makes him endearing, that balances out the sarcasm.

I think my favourite thing is the contrasts between them. How Jacob likes to talk dirty during sex and is very vocal, whereas Victor is more cerebral and can never think of anything to say.

"Speaking of dirty: Jacob's a talker...Not that the words aren't sexy as hell - I just worry that I'll sound like an idiot if I'm the one saying them."

Jordan Castillo Price gets you straight into how their relationship works. Jacob is so sexual and overt and Victor is slightly more repressed.

"No wonder I worried about talking dirty; talking in general seemed to escape me."

I liked the mystery in this one as well. Especially the more paranoid aspects in the first half of the story. Even when Victor doesn't seem to be aware that something is wrong. I think that you as the reader are aware that there's something not quite right - a creeping suspicion that tickles the back of your head as you're reading.

This one gets another big recommendation from me. And I'm looking forward to reading the remaining books in the series.

What Turns You On in a Protagonist...

...this post is not going to be as provocative as the subject makes it sound. :)

After reading Psycop 1 last week I've been thinking about what really makes me like and root for a protagonist. Looking at my favourite heroes and heroines - Marcus Falco, Miles Vorkosigan, Kate Daniels, Elena Danvers, Nadia Stafford, Adrien English, Jaz Parks, Gen (from The Thief) - there is some common ground there.

So without further ado - my three favourite things to find in a hero/heroine.


Sarcasm, Painful Honesty, and not Shutting Up

Lol - I love me a sarcastic hero. Someone who has a withering put down always ready on the edge of their tongue. Someone who has a clever comment to deliver at a moment's notice.

...Jack said, "You saw my note, right? It said 'wait'."
"That was a note? I thought it was a haiku."(Made to be Broken - Kelley Armstrong)

Someone who doesn't always keep quiet when perhaps they should because they just have to push it that bit further.

"I pointed out that he'd been no help at the ford. He pointed out that I had climbed a tree. I pointed out that I had no sword. He offered to give me his, point first." (The Thief - Megan Whalen Turner)

Someone who doesn't always understand the meaning of too much information.

"...I can't think with my underwear stuck up my crack. I know it's a weakness, but it's just one of those things." (Bitten to Death - Jennifer Rardin)

And if in doubt you can always state the truth.

"...Now she believes I'm a liar. Probably because I lied to her." (A Hunger Like No Other - Kresley Cole)

Keeping the Brain Switched On

One of the other attributes that I rank highly in a protagonist is whether or not they think. I hate when I read a book and start wondering at what point the hero put their brain into neutral. (Usually this happens to serve a particularly unbelievable plot point.) Smart people are sexy. People who keep their brain ticking over no matter the situation are fun to read about.

"I could tie you to the bed, you know."
"No, you can't. It's round and you don't have any rope." (Twilight Fall by Lynn Viehl)

(Hmmm, perhaps this is a little linked to the previous point).

One of the things I most love about characters such as Miles Vorkosigan, Kate Daniels and Marcus Falco is that even when the situation is turning to complete shit all around them, their brains are still constantly churning over the possibilities.

"Hello, dove." He grinned at me. "Look at that: you don't have your pretty knife and I've got your hands. What are you gonna do now?"
I rammed my head into his nose.' (Magic Burns by Ilona Andrews)

They can be saying one thing, doing something else and thinking something else entirely. It makes for an exciting and thrilling read.


Consistency

Again this kind of links to the previous post in some ways - the character having their brain switched on- but it's also to do with the character behaving organically. I think it's important that if an author establishes a character will behave in a certain way that they are true to that. Put your character in the most awful situation imaginable but have them behave in a way that is true to them.

A brilliant example of this (and I'm going to write about it without spoilers because it just shouldn't be spoiled) is what happens to Miles Vorkosigan in Memory. Something awful happens. But it's been established since the beginning of the series that he follows this strategy of 'forward momentum' (keep going, just keep going). And up until this point it's worked pretty well for him. But in this case things just get worse and worse. He should stop...but he can't. As a reader you can see the inevitable disaster of the situation, but you also understand that Miles is behaving like Miles would.


So what are the attribues you most like your heroes/heroines to have? I have a copy of Phenomenal Girl 5 to give away to one poster to this thread. Winner to be chosen by random number at random.org on Saturday.

Winner of the...

...Stalling out on a series giveaway is :-

Donna

whose comment was the 6th on the thread by someone who wanted to take part in the draw. Number chosen at random.org was 6.

Donna - keep an eye out for my e-mail. :)